Showing posts with label Baltimore. Show all posts
Showing posts with label Baltimore. Show all posts

Wednesday, February 7, 2024

Baltimore contractor, WWII infantry vet turns 100

© Used with permission.

Pete, a retired Baltimore, Md., contractor, WWII veteran, and my great uncle, turns 100 today, February 7.

Upon graduation from high school in Baltimore City in 1943, Pete was drafted into the 9th Infantry Division of the U.S. Army ("the Notorious Ninth"). He served in Europe for four years, remaining for several months after VE Day. He was awarded a Silver Star and Purple Heart and discharged as a second lieutenant.

Before Pete came home from Europe, he was able to visit family in Italy. About four decades later, he joined me for a trip to visit our cousins there again. In the electronic age, I've served as go-between for trans-Atlantic updates.

© RJ Peltz-Steele
Pete came home from the war to marry my great aunt, Velma, and to build a construction business in Baltimore. They started a family. Throughout their active years, Pete and Velma volunteered vigorously in Baltimore's Italian-American community, raising money for scholarships.

Pete retired to a quiet life of golf, reading, and doting grand-parenting in Baltimore County. We celebrated Sunday.

Monday, April 3, 2023

Event celebrates hostelling, honors firefighters

Fire Station 2 today, a hostel and museum.
RJ Peltz-Steele CC BY-NC-SA 4.0
The extended family of the Firehouse Hostel & Museum in Little Rock, Arkansas, came together last week to celebrate accomplishment, to honor firefighters, and to raise funds for a new annex in support of fire safety education.

The event featured Razorback college football veterans David Bazzel, now a radio personality, who emceed, and Gary Robinson, 1964 national champion (then, now), who keynoted.

Gary Robinson is the younger brother of legendary Major League Baseball third baseman Brooks Robinson, a retiree of the Baltimore Orioles, who had planned to attend but could not. 

Gary Robinson and me.
RJ Peltz-Steele CC BY-NC-SA 4.0
The Robinson brothers graduated from Central High School (National Historic Site) in Little Rock. As kids, they spent time at Fire Station 2, where their father was a career firefighter. In a prerecorded video interview, Gary and Brooks reminisced over the firehouse, their father, and his co-workers.

The sporting legacy of the Robinson family is of course especially meaningful in Arkansas and in Maryland. As I lived in those states between 10 and 20 years each, I've felt a special connection to the Robinsons. My father is a big fan of Brooks, and I was a childhood supporter of the Orioles. Brooks retired in 1977, when I was six.

Linda Fordyce stirs up the crowd.
RJ Peltz-Steele CC BY-NC-SA 4.0
Long out of service and after years of neglect, Fire Station 2 provided the building that the city of Little Rock and an army of volunteers rehabilitated to serve as the hostel and museum, which opened in 2016. I worked on the firehouse hostel project as one of those volunteers until I left Arkansas for New England in 2011. I took (dubious) honors for having traveled the farthest for the event, edging out a charitable soul from Colorado who contributed more valiantly by populating two tables with local friends.

The Firehouse Hostel and Museum has been the brainchild and passion project of two extraordinary people, Linda and John Fordyce. They conceived of the hostel more than 10 years before the hostel opened in 2016, and they have shepherded the project with nothing short of parental love since. Last week they were in attendance as leaders and coordinators. With characteristic tirelessness, they now are spearheading the drive to develop the annex.

Reep introduces Benton; Bazzel looks on.
RJ Peltz-Steele CC BY-NC-SA 4.0

The Fordyces' passion for travel as cultural education, hostelling as social learning, and the merits of the firehouse as an urban redevelopment project in particular are famously contagious. I could not resist signing on and served in roles as varied as bathroom cleaning and representative to a national meeting of Hostelling International USA.  At the event last week, the enthusiasm the Fordyces still exude was palpable. Many faces I remembered from the 2010s were there and still are vitally involved, importantly including Greg Hart, who lends his accounting wizardry, and Johnny Reep, a retired fire captain of legendarily large personality.

Other presenters and honored guests included Tanya Hooks and Marvin L. Benton. Another Central High alum and a major mover in the Little Rock non-profit sector, Hooks is a board leader for the hostel and museum. Another retired firefighter, Benton is an inspiring advocate for fire safety education, especially for children, and author of a book in that vein, Unfallen Hero.

In Unfallen Hero, Benton tells the near-death, line-of-duty story of having suffered agonizing burns over 39 percent of his body. When doctors said he could never fight fire again, he told the audience last week, he lobbied his superiors for a job in fire safety education. When they questioned whether he would be comfortable appearing before audiences with his disfiguring scars, he said, he answered: "If these scars on me would save just one child, ... it will all have been worth it."

After the example of the Memphis Fire Museum, Linda Fordyce said, the Little Rock museum, with Benton in the lead, hopes to make fire safety education accessible to all children in Arkansas. Fordyce and Benton said that fires and the horrific injuries they inflict are too often easily preventable.

You can support and read more online about the Little Rock Firehouse Hostel and Museum.

Monday, May 24, 2021

Boosted twice by war, then by economic catastrophe, paper money tells the story of America

Notaphilist, historian, and my uncle, Armand Shank yesterday gave a fascinating talk on the history of banking and paper currency in Maryland for the Historical Society of Baltimore County.

From Shank's collection: Currency issued in Baltimore
by the Continental Congress, 1777
The history of money is, of course, the history of America.  The British initially held strict control over currency in the colonies, Shank explained, and, lo and behold, British banking rates and policies seemed never to inure to the benefit of colonists.  Local currency, besides federal "IOUs," sometimes appeared of necessity and represented resistance.  Benjamin Franklin Bache, grandson of Benjamin Franklin, was a publisher of money and used samples his grandfather brought back from Europe as models.  Shank showed one of Bache's products.

Late in the 18th century, the Continental government issued national currency to raise millions of dollars for the Revolution.  Acceptance of the currency was expected, Shank said, for refusing it would brand one a traitor.  After independence, the First Bank of the United States was chartered in 1791, but lasted only until 1811, a casualty of Jefferson's state-centric vision of federation prevailing over Hamilton's wish for a strong central government.  State and local money came back on the scene in a big way, notwithstanding the ultimately decisive U.S. Supreme Court approval of the Second Bank of the United States in McCulloch v. Maryland, the 1819 staple of the modern constitutional law class.  Shank shared images of money from Baltimore County in the early 19th century.  Counterfeits proliferated.

Shank's first acquisition
In the 1860s, it was the need to raise money for war that again prompted the assertion and mass issue of federal currency.  The National Banking Acts of 1863 and 1864 strengthened and standardized national currency and, by 1865, phased out currency issued by state banks.  Local banks continued to issue currency, but only with the imprimatur of a national charter system.  Financial crises early in the 20th century led to reforms such as the first Federal Reserve Act, in 1913.  Federal reserve notes as we recognize them today emerged from a more vigorous standardization policy at the start of the Great Depression in 1929.

Quonset-style home in 1948
(Ed Yourdon CC BY-NC-SA 2.0)
Shank shared images from his collection of notes issued by the National Bank of Cockeysville, the town in northern Baltimore County where Shank grew up.  A $20 note of the bank was the first in Shank's collection, coming into his possession when he was a boy.  Circa 1950, Shank's father, Armand Shank, Sr., took Armand, Jr., to see Alexander D. Brooks, a cashier whose name appeared on the currency and who lived still in Cockeysville.  Alas, Shank said, Brooks, then in his 80s, had little recollection of his work for the bank.  Brooks died in 1956.

I have fond memories of being a kid in the 1970s, playing with cousins in the backyard of Armand Shank, Sr.'s home, where Armand, Jr., grew up, in Cockeysville.  The home, built in 1950 and still standing, was of a quonset-hut style, unusual today.  Many such homes were once built in this cost-effective style to meet the demand for housing after World War II: the homestead of the Baby Boom.  I didn't know that at the time, of course; I was more interested in the vast volume of lightning bugs that populated the yard.  I remember the smell of the place, fresh cut grass with a not unpleasant hint of motor oil.  It charms me now to think of another boy in that same environment, a generation earlier, one day awakening to a passion for American history told through the lineaments of banknotes.

Armand Shank is a member of the Board of Directors of the Historical Society of Baltimore County.   He is co-author of Money and Banking in Maryland: A Brief History of Commercial Banking in the Old Line State (1996).  He has a new article forthcoming on the subject for History Trails, a publication of the society.

Monday, October 12, 2020

Ciao and shalom, it's Columbus Day

It was painful and offensive to me to see the Columbus statue in Baltimore ripped down and thrown into the harbor on the Fourth of July.

I appreciated Trevor Noah's Daily Show commentary on Columbus Day, aired last week, because he recognized the meaning of the holiday to the Italian-American community.

Noah excerpted a Vox video (story), from 2018, which gave a good concise summary of how the Columbus holiday came to be.

The video describes "the legend of Columbus," and it is a legend.  Italian-American immigrants, such as my grandparents, came to embrace a legendary Columbus who bore little resemblance to the real historical figure.  Which is not to say that the legend lacked real meaning for real people.  There was a time when Italian-Americans were a "non-white" minority in America, Noah acknowledged.  The community reached out to adopt, and partly to create, a galvanizing icon.  

I studied Columbus quite a bit as an undergrad majoring in Spanish-language literature during the quincentenary of "the Discovery."  As best as we can know Columbus, which is not much, given a paucity of surviving and conflicting accounts, the truth must be that he was complicated.  People are.  He had a multiplicity of motives, some more morally laudable than others.  And probably he wasn't the sweetest sort of guy.  Crossing the Atlantic Ocean with a potentially mutinous crew of adventurers in 1492 was a rugged business, if not recklessly suicidal.  But Columbus did not invent Euro-centrism, Caucasian supremacy, or slavery.  The cultural arrogances and inhumane institutions of the 15th century were certain to encircle the globe aboard every ship that departed the continent.

Columbus statue (Brent Moore CC BY 2.0)
So my family, arriving in America in the 20th century, embraced a legend.  It wasn't a terrible choice of legend.  The first Italians to populate Baltimore sailed from Genoa, which is where Columbus probably was from.  My grandparents, who also came to America by boat, from Tuscany, revered Columbus well before the dedication of his Little Italy statue in 1984.  Through their Italian-American organizations, they contributed to the creation of the statue, which was made of marble and crafted by an Italian sculptor.  President Reagan and the mayor of Baltimore dedicated the statue in Baltimore's Little Italy, where my family first lived after immigrating.  When I was a kid, I was taken to Little Italy when my family volunteered and participated in religious rites and Italian-American festivals.  Later, and for many years, my uncle played the character of Columbus in Baltimore's Columbus Day parade, which started and ended at the Columbus statue.  I remember him decked out in cartoonish royal robes, standing atop a float mock-up of the Santa Maria, waving to smiling people, of all colors, who lined the streets.  

He stopped when it became dangerous to be Columbus.  Dangerous to celebrate our history in America, however reimagined and romanticized.

I'm not opposed to taking down statues of Columbus.  I've advocated for "fallen monument" parks, as abound in former Soviet states, Hungary's being the most well known.  They're immeasurably valuable to teach history.  They proffer powerful evidence that, try as we might to be good and to do right, morality has proven a stubbornly mutable ambition in the human experience.  

But taking down Columbus in Little Italy should have been a decision made by a cross-section of community stakeholders, not by a mob.  An effort had been under way in the Italian-American community already to raise money to move Columbus elsewhere.  The mayor of Baltimore promised prosecution of the vandals on July 9, but I've found no report of any arrest or charge to date.  The Italian-Americans who contribute still, vitally, to Baltimore's identity deserve better.  They deserve respect, right alongside every other community that has built Baltimore as a vibrant and diverse city.

As Noah observed, American history is now populated by many Italian-Americans who don't need aggrandizing legends to demonstrate greatness.  It's not too late to create the commission that should have been and to start talking about how to honor immigrant history and the City of Baltimore at the intersection of Eastern Avenue and President Street.  I don't know who, or what, might, or should, stand in "Columbus" square.  I do believe that if we work at it, we can find, or make, an icon that my grandparents would have appreciated, and at the same time raise a testament to a new story.