Middle Passage project unveils R.I. sculpture: looking ahead in strength, not back in despair, artist says

Memorial Sculpture

The Bristol Middle Passage Port Marker Project (BMP) today unveiled and dedicated the Bristol Memorial Sculpture by Rhode Island School of Design artist and Professor Spencer Evans.

My wife and I were there. (All photos RJ Peltz-Steele CC BY-NC-SA 4.0.)

The Middle Passage Ceremonies and Port Markers Project comprises a network of ports of entry in the slave trade along the eastern and southern U.S. coasts from Maine to Galveston, Texas. The Bristol, R.I., chapter was organized in 2020, later incorporated as a nonprofit in 2023, by Elizabeth Sturges Llerena and Holly Wolf, descendants of the DeWolf family who spoke today. 

The DeWolf family trafficked more enslaved persons than any other in the United States. Llerena and Wolf's generation have committed to work on reconciliation and reparations since the family's history came under scrutiny in the 1990s. Their generation's journey—literally, including travel on the trade triangle form Bristol to Ghana to Cuba—was chronicled in the 2008 PBS documentary, Traces of the Trade: A Story from the Deep North. DeWolf descendant Katrina Browne, who also was present at the unveiling today, produced and directed the film.

The sculpture sits under wraps before the dedication.

The Bristol Memorial Sculpture sits in Independence Park in Bristol, at the southern end of the East Bay Bike Path and northern end of Bristol Harbor. The sculpture means to fulfill the BMP mission, "acknowledging Bristol's history, and most importantly ... honoring the memory of all those harmed by the trans-Atlantic human trade," according to today's program. 

The project means to recognize both the enslavement of African persons, especially the Akan of Ghana, who are known to have landed at Bristol, and the enslavement and oppression of native Americans, specifically the Pokanoket, a Wampanoag people who lived where Bristol is today.

Prof. Evans speaks, his young daughter with her uncle at right.

The sculpture was selected from among finalists' models. Evans's winning design comprises three figures, an indigenous woman, an African man, and a child, cast in bronze. Evans worked on the sculpture at his Pawtucket, R.I., studio, and it was cast at Buccacio Sculpture Studios in Canton, Mass.

A narrative by Evans in the dedication program explained, in part:

Prof. Evans gestures upon the unveiling.

Both adult figures have their bodies turned toward Bristol Harbor, the first being a woman. The position of her body serves as a metaphor for the Pokanoket women who stood at the Cliffs of Sorrow waiting for their stolen families to return. The second figure, a man, symbolizes every African ancestor and descendant who possessed the viscerally sensational reminder that we are not in our homeland. However, both their gazes are fixed toward the child as the second adult points inland in the direction that the child is moving. The dynamically twisted posture of the adult figures also symbolizes the task of circumstantial endurance while possessing a radical love and hope for future generations, despite their reality of living in bondage, displacement, and oppression. The child figure also has a dynamic pose which is seemingly almost weightless in the movement, symbolizing the future generations who are carrying their ancestors with them as they are able to make constant attempts at living their dreams.

Prof. Freamon emcees.

A native of Houston, Tex., now resident in Providence, Evans was on hand and delivered a poetic address to mark the unveiling. He admonished the crowd that they would not see figures expressing fear or bound by chains, because "the spirit of despair" is not what should be passed on to future generations. Rather, he said, the sculpture means to communicate strength, love, hope, and affirmation of the future.

Explorers Monument

Curiously, or maybe fittingly, the new Memorial Sculpture sits across the main circle of Independence Park from Explorers Monument, a tribute to the Portuguese age of discovery.

Directors and advisers of the BMP board were in attendance today, and board president Bernard Freamon emceed. Roger Williams University Law Professor Freamon is a valued friend and colleague of my wife and me.

More than 150 people witness the dedication and unveiling in Independence Park.

Gambia AG initiates truth inquiry to get country on track

A Gambian customs office shades goats near the southern border with Senegal.
All images: RJ Peltz-Steele CC BY-SA 4.0.

The TRRC process includes public awareness via signage.

With the independence of a nation's attorney general now the subject of discussion in the United States, consider Ba Tambadou, AG of the African nation of Gambia, where I visited on its independence day, February 18. A former Hague prosecutor, Tambadou was instrumental in creating the present Truth, Reconciliation, and Reparations Commission, which now is holding hearings in Gambia and dropping revelations nearly by the day in the news there.

The Gambian TRRC concerns abuses of power, including repressive violence and press suppression, that kept Yahya Jammeh in control of the country from 1994 coup to surprise election upset in 2017. The ex president now lives in exile, in reportedly sweet digs in Equatorial Guinea. He seems to have ample access to the fortune he looted on the job, which is looking like hundreds of millions of dollars, despite a 2017 US freeze on his assets under the Magnitsky Act.

TRRC proceedings captivate public attention on TVs in Banjul.

Unfortunately Gambia's elected president, Adama Barrow, has raised eyebrows by recently rescinding a pledge to serve only three years, though the national constitution does permit five. Political opponents whisper about corruption, and no doubt nerves are raw since the country finally freed itself of Jammeh. All the more important then is the independent judgment exercised by Tambadou to shine light on historical misdeeds. The TRRC is the sixth of its kind on the African continent and essential to break the cycle of maladministration in government, and hence the cycle of underdevelopment and poverty in this brilliantly diverse yet smallest mainland nation of Africa.

American rice bags are repurposed to make a mattress in Gambia. All images: RJ Peltz-Steele CC BY-SA 4.0.