Did Donald Trump go to prep school with Citizen Kane?

I just re-watched the masterpiece Citizen Kane (1941), and a line I'd never noticed before dropped my jaw.

I'm teaching a seminar on freedom of the press in film this semester with the superb new book by friends and colleagues, Helen J. Knowles-Gardner, Bruce E. Altschuler, and Brandon T. Metroka, Filming the First: Cinematic Portrayals of Freedom of the Press (2025). I wrote about the book here in 2024.

The second film featured in the book is the Orson Welles classic Citizen Kane. It raises for consideration a host of issues around the meaning of the First Amendment, whether as law or ideal, and the role of the press in a democracy. A key issue arises from the central character, Charlie Kane, a fictional analog to the real-life William Randolph Hearst.

Hearst was a media mogul in his time, the late 19th century and early 20th, a central figure in the yellow journalism era. Hearst and Kane alike prompt consideration of the very contemporary problem of media consolidation. My class considered data from a recent Roosevelt Institute report (inset), which described the economics of the news business over the course of American history, culminating in a deeply worrisome status quo.

Prof. Altschuler, who joined my class via Zoom for part of our discussion, wrote in the book that President Donald Trump has twice in interviews identified Citizen Kane as his favorite movie. As Prof. Altschuler remarked to my class, President Trump might not have gotten the message Welles intended.

Quoting an anecdote told by Ruth Warrick, the actress who played Kane's first wife in the movie, Prof. Altschuler reported, "Welles told the cast that the movie 'is about the kind of man that Americans tend to make their heroes, when actually they are the despoilers of their country.'"

I knew all of that, having just read up on the film in anticipation of re-watching it after decades. Yet I was caught off guard by something completely unexpected.

In the film, there is a scene (cued in video below) in which Kane is courting the woman who would become his second wife—the real-life Hearst separated from his wife, who would not grant him a divorce, and lived his later years with a second partner—and to amuse her, Kane, played by writer-director Orson Welles himself, wiggled his ears. 

Kane explained to his romantic interest: "It took me two solid years in the best boys' school in the world to learn that trick. The fellow who taught it to me is now the President of Venezuela" (USA Today).